Flexibility for Ballroom Dancers with Marzena Stachura
with Marzena Stachura
Kỹ thuật chung trong Standard (Standard/Ballroom Technique)Điều hành viên: docco Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
Flexibility for Ballroom Dancers with Marzena Stachura with Marzena Stachura 
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Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
Victor Fung and Anastasia Muravyeva Các bài tập
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
Three Controlling Factors in Ballroom: Balance, Rhythm, and Muscle Control Lecture of Bill Irvine in Blackpool Seminar 1999
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
HAPPY TRAINING ITALY ISCHIA-CAPRI OPEN 2006 Marcus Hilton MBE – Waltz How Quality in dancing can improve our dancing? We have to work on Quality to be provided an attractive and interesting performance. Introducing the three main actions of Waltz and some popular figures, Marcus explains the importance of the Quality in dancing.
David Sycamore – Slow Foxtrot David is explaining the timing of the correct action of the Slow Foxtrot, easily to understand by illustration of correct and wrong examples. Secrets of how to control the timing of many different rhythms by using different types of weight changes will be revealed.
Caterina Arzenton – Slow Foxtrot Slow Foxtrot is not a Swing Dance. Commenced by surprising declaration, she developed her explanation to our satisfaction. She also refer to the importance of the lady’s understanding of correct footwork, timing, body connection, center awareness and movement to be a good follower.
Espen Salberg – Rumba Espen is describing deeply on the Body Action, Timing, Connection and some important aspects of Rumba Character along the demonstration of Slavik and Elena. We can learn that Basic Principle is very important factor to improve the quality of dancing, no matter how complicated the choreography is.
Michael Stylianos – Samba Michael invites you on the floor to experiment with the method to improve your dancing interesting and attractive. Simply by changing shape, timing, accent and by adding turns, your figure will dramatically transform into the fascinated ones.
Shirley – Jive Shirley describes the very important characteristics of Jive, by demonstrating with Riccardo and herself. She introduces some effective exercises and combinations to make you understand this different characteristics of Jive.
Karen Hilton MBE – Tango Describing the correct Posture, Timing, Style, Foot Speed and Body Speed of Tango. By using the participants dancing popular figures, she is verifying the importance of dancing in good balance with correct usage of foot, leg and body.
Donnie Burns MBE – Chachacha Understanding of how to use normal timing and syncopated timing, differences between a walk and a step, correct usage of delayed walk and normal walk are very important factor to improve your dancing. Learn the importance and make your dancing progress by analyzing Slavik & Elena’s choreography.
Denise Weavers – Tango The correct direction of the power for Tango, the correct posture and connection, frame and clear timing would be vital for Tango. She demonstrates and explain clearly how to dance and time Legato Slows and Staccato Slows differently.
Lorna Lee – Paso Doble The thorough research of the characteristics and background of Paso Doble will makes your Paso Doble attractive. It is important to know the background of each figures, and that background understandings will leads you the correct technique logically.
Caterina Arzenton – Waltz Caterina is describing the advanced technical aspects of Waltz, how to create deep Swing and Rotation action. By teaching a young couple, she explains contact position changes when they Swing, the correct leg action and awareness of common center.
Massimo Giorgianni – Quickstep Massimo lectures on his specialty Quickstep, explaining how to create Rhythm. Describing the 9 types of accents which together creates Rhythm, he demonstrates how you can create Rhythm by putting all these kinds of accents together.
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
HAPPY TRAINING ITALY ISCHIA-CAPRI OPEN 2007 Barbara McColl – Secrets in the Basic Rumba Rumba is a dance of love, a story between man and woman. Searching inside of ourselves to bring emotion build for partner makes your dancing much attractive. Barbara will experiment with 5 couples how to apply the intimate moment into dancing and will explore the way to express different feelings of music by improvisation dance. Video:
Donnie Burns M.B.E. and Gaynor Fairweather M.B.E. – Latin American Dance What do we practice Latin American Dancing with a Partner to win competitions? The issue is, it doesn’t matter whether it’s R, S, J, P, or C. You can be more than twice faster if you dance your body weights together or counter-balanced with your partner. Donnie and Gaynor explains you how you can create a fantastic dancing with your partner by demonstrating some basic Jive and Rumba Video:
Denise Weavers – Samba Each dance has different character. It is essential as a dancer to understand and to show the character of the dance. The character of Samba is Variation of Rhythms. Denise explains the importance of the rhythms created from different actions in Samba using a simple basic Samba group. The audience join in the lecture to dance the group together and explore which action creates which kind of rhythm. Video:
Luca Baricchi – Slow Foxtrot How do we listen and how do we express the music? The counter rotation in your spine enables you to put the music into your joints to express the music. Luca also explains how you can dance in harmony with your partner when you play with the timing of the music. Marcus Hilton M.B.E.- Waltz What do we expect from your partners while you’re dancing? Marcus explains, dancing with Karen, the insight of what he require from Karen as being his ‘Thinking Body’. By demonstrating a small group with young dancers, he gives some tips for each step what the man and lady expect from their partners Video:
Augusto Schiavo – Tango Augusto lectures how to apply the correct amount of energy while dancing Tango. Then he moves to the topic on what the competitors should do(and think) to become a champion. Quoting some data from the study, he guides us to understand what are the factors of TALENT, how we should PRACTICE and finally the mental approach for the competition. Video:
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Caterina Arzenton – Ballroom Dance What are you ready to give to your partner when you dance? Caterina verified the importance of shadowing and how to do partnering by trying improvisation dance with her students. Communication between the man and the lady is essential to enjoy our dancing. Video:
Karen Hilton M. B. E. – Viennese Waltz Because we have only 7 figures in Viennese Waltz, we need to show all 7 figures danced beautifully and accurately with beautiful picture and shift of movement from foot to foot. Karen explains the secrets and method of training to develop your musicality in Viennese Waltz. Video:
Sammy Stopford – Samba Technique begins with music. The definition of dance is the movement TO the music. All you have to do is to learn the simple basic techniques that relates to the steps, that relates to the footwork, that relates to the music, and then use them Video:
David Sycamore – Quickstep Taking some selections of basic figures, David talks about how you can dance them with the correct technique and make them powerful to be competitive and in character with the quickstep. His lecture will allow our dancing to have contrast in speed and power, with nice musical phrase. Video:
Ralf Lepehne – Cha Cha Cha Clear knowledge of the rhythm makes a big difference in your dancing. If you understand what is the music and how to move to the music with a correct mechanics of Cha Cha Cha basic, you can express a play of the syncopation rhythm and strong play between partners which are the characteristics of this dance. Video:
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Espen Salberg – Paso Doble Paso Doble has a clear message that is a whole story of bullfight. To express the artistic Paso Doble, we need to study the philosophy of this dance and understand the meaning and what you portray in the entire dance. The lecture wrapped up with the great performance of a characterized little piece by Donnie and Gaynor. Video:
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
HAPPY TRAINING ITALY ISCHIA-CAPRI OPEN 2008 Marcus and Karen Hilton MBE – Waltz What do the judges want to see in the Waltz? It is not a fast waltz, not a lot of syncopations or unique choreography. Because the Waltz is a beautiful dance, they want to see the dance that expresses its beauty. What should we do for that? Marcus answers with humour. Video:
Marcus Hilton MBE – Tango Marcus says he times his body in the swing dances. Then where does he time in Tango? Where do Marcus and Karen feel their weight on to show the character of Tango while dancing? Why in the textbooks does the Tango footwork go more in details than other dances? This lecture explains. Video:
Marcus Hilton MBE – Ballroom Dance Line figures are not static, but we breathe. We move and the body is in motion. Taking up Same Foot Lunge and Left Whisk for examples, dancing from the entries of them through to the exits. Marcus explains how Marcus and Karen use their bodies from their heads to toes in details to create and achieve beautiful dancing. Video:
Caterina Arzenton – Viennese Waltz Viennese Waltz is not the same as Waltz and its characteristics is absolutely different. Caterina explains the secrets of how to use the standing and moving legs to dance on time with the fast music and also the correct understanding of CBM in the ‘stage’ lecture that audience can join and dance. Video:
Augusto Schiavo – Ballroom Dance His lecture refers to what he wants to see in the dancing, whom the competitors dance for, and even the sincere respect for the people who danced before us. It captures the attention of the audience. You will be grateful to find his answers of the questions asked by the audience. Video:
Len Armstrong – Slow Foxtrot When you dance you must create your dancing, not manufacture it. If you dance aggressively with competitive spirit, you can never reach the the dance with high quality. Then, what should we do to achieve that level? Len gives an impressive lesson inviting the audience on the floor. Video:
David Sycamore – Rumba I do feel it is important to show some Fan positions, Open positions and some Closed positions within any Rumba routine. The reason they are important is not only for the positions themselves, but for what you can do in those positions. Taking up various types of Walks, Rocks, Cucarachas and Hip Twists, David talks the concept required in the dance. Video:
Denise Weavers – Paso Doble To dance powerful and strong Paso Doble we have to first know the posture using pelvis and diaphgragm. In some way we could say that once we get it, 90% of the dance will become satisfactory. Denise explains the way to make posture, frame and connection. Denise dances with David showing some basic figures and their developed styles. Video:
Alan Tornsberg – Jive I will give you some ideas how to be able to develop Jive to the same level as the other Latin-American dances. Saying that Alan gives a very unique lesson by presenting 4 types of rhythm groups of Jive and attracts audience’s feelings. They are thrilled when they have a chance to see the demonstration with Gaynor. Video:
Tone Nyhagen – Cha Cha Cha I have to say it is very rare that I get moved and inspired by what I see on the floor today. Even very acrobatic movement, if it is done without purpose, is empty for me. Tone gives an impressive lecture on body and making it “sing”. Video:
Ralf Lepehne – Samba You always need to understand what is behind the music and the dancer should be an interpreter of the sound we hear. Ralf explains how to listen to the music, how to feel the music, how to use body parts differently in the same rhythm groups. A really practical and useful lesson that audience can join and enjoy on the floor. Video:
Donnie Burns M.B.E. and Gaynor Fairweather M.B.E. – Latin American Dance There is a reason why they win and why you don’t in the competition or why you win and they don’t. Walks in Rumba are like four wheels in a Ferrari. Even though it has a powerful engine, it can not run without wheels. This is a great lecture that presents Donnie’s idea of Latin American dances. Video:
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
HAPPY TRAINING ITALY ISCHIA-CAPRI OPEN 2013 Jonathan Crossley - Slow FoxTrot Video:
Slavik Kryklyvyy - Cha Cha Cha Video:
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
Ballroom dancers Festival Blackpool Congress 1989 Peter Maxwell and Lorraine Rohdin Latin Lecture
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
Come Dancing Andrew Sinkinson & Charlotte Jorgensen
Re: Kỹ thuật chung trong Standard (Standard/Ballroom Techniq
BDFI UK Congress 2013 Lorraine Barry Ballroom Lecture Video:
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